Happy Thanksgiving! I hope you all have a wonderful day surrounded by family and friends . . . and once everyone has gone home and you recover from all that turkey, you’ll probably start thinking about all of that quilling you wanted to get done before Christmas. I have finally finished all of my special orders and can now concentrate on quilling some fun stuff. I have been working on a really special piece for my best friend, but I'lll save that for another day. What I wanted to talk about today is borders.
I recently had someone ask me about doing borders. Borders are usually placed around something, a verse, a photograph, a wedding invitation, just to name a few. There are lots of ways to do borders, you can run a border across the top and bottom of a piece, on opposite corners (one of my favorites), or all the way around the item you are “framing” with your quilling. Judy Cardinals book B5987 Quilled Borders & Motifs demonstrates borders using themes. An example of this is one of her baby borders which includes quilled baby bottles, rattles, and safety pins. Claire Choi’s book The Art of Paper Quilling has a whole section on borders. In the section on cards, she uses borders (mostly floral) to surround the sentiment on the front of the card, like “love”. The borders she uses on some of the framed pieces are usually in opposite corners. When working on opposite corners, you can keep the quilling symmetrical, using the same flowers or shapes in the same colors so they are “mirror images” of each other. The roses and calla lily border is one of these as is my top and bottom designs, while in the piece with the quilled ribbon the flowers are done in different colors and placed without regard to “matching’ the design on the opposite corner.
I think the borders that are the most daunting, are the ones that go all around the opening or the edge of the frame. I will tell you how I plan these out. If I am working with a rectangular border, I start in the corners. I usually make some shapes and “play” with them while they are dry to decide how I want the border to look. Then I start to work in from towards the center, adding shapes to complete the border. In this way, if your spacing is a little off and you have a gap in the center, you can just add one additional quill. Another tip: if the piece is a rectangle, I do the four corners first and then start working across the top and bottom at the same time; once the top and bottom are done then I start working on the two sides. This is particularly important if the design is complex.
If I am working on an oval border, I start at the centers (top and bottom, left and right) and then work inward. I have included some pictures here, these are fairly simple borders, but if you want to see totally awesome all around borders you need to go to Quillin From the Heart Clareen Bankhead’s borders are incredible! Her work is so delicate and beautiful that I just enjoy going over to her site to admire it all.
I recently had someone ask me about doing borders. Borders are usually placed around something, a verse, a photograph, a wedding invitation, just to name a few. There are lots of ways to do borders, you can run a border across the top and bottom of a piece, on opposite corners (one of my favorites), or all the way around the item you are “framing” with your quilling. Judy Cardinals book B5987 Quilled Borders & Motifs demonstrates borders using themes. An example of this is one of her baby borders which includes quilled baby bottles, rattles, and safety pins. Claire Choi’s book The Art of Paper Quilling has a whole section on borders. In the section on cards, she uses borders (mostly floral) to surround the sentiment on the front of the card, like “love”. The borders she uses on some of the framed pieces are usually in opposite corners. When working on opposite corners, you can keep the quilling symmetrical, using the same flowers or shapes in the same colors so they are “mirror images” of each other. The roses and calla lily border is one of these as is my top and bottom designs, while in the piece with the quilled ribbon the flowers are done in different colors and placed without regard to “matching’ the design on the opposite corner.
I think the borders that are the most daunting, are the ones that go all around the opening or the edge of the frame. I will tell you how I plan these out. If I am working with a rectangular border, I start in the corners. I usually make some shapes and “play” with them while they are dry to decide how I want the border to look. Then I start to work in from towards the center, adding shapes to complete the border. In this way, if your spacing is a little off and you have a gap in the center, you can just add one additional quill. Another tip: if the piece is a rectangle, I do the four corners first and then start working across the top and bottom at the same time; once the top and bottom are done then I start working on the two sides. This is particularly important if the design is complex.
If I am working on an oval border, I start at the centers (top and bottom, left and right) and then work inward. I have included some pictures here, these are fairly simple borders, but if you want to see totally awesome all around borders you need to go to Quillin From the Heart Clareen Bankhead’s borders are incredible! Her work is so delicate and beautiful that I just enjoy going over to her site to admire it all.