I had a very interesting phone call the other day from one of my quilling friends. She had been contacted by an agency that works with the blind; they wanted to know if she would teach a quilling class. She wanted to know if I knew any blind quillers. I do know a couple of legally blind quillers who are able to quill using the magnifier closed circuit TV devise (I am not sure of the actual name of these devises; I know they are very helpful for those who are not completely blind) I am writing this blog in the hopes that some of you may have some other ideas, or may know someone who works with the blind. I suggested she might want to talk to someone who works with the blind, possibly one of the schools for the blind.I know they teach other handwork and thought some of those techniques might be applied to quilling. We brainstormed on the phone for a while . . . here are some of the thoughts we had.
Making some of the various shapes and then letting the student “feel” the shapes is a possible way of demonstrating the kinds of shapes that can be made. It would seem to me that finger rolling would be the best way to go rather than trying to “thread “a slotted tool. I am also thinking that starting with wider strips might make sense since the pieces would be larger and perhaps easier to handle. Of course you wouldn’t be able to “show” this technique, but by feeling a straight strip, and then explaining that the strip should be run over the fingernail to “soften” it and start it curling. Once the curl at the tip is started, it is fairly simple to continue to roll the strip into a loose coil. I would suggest using a fine tip glue bottle to glue the end of the strip down so the glue can be placed exactly where it is needed. (I find the glue bottle less messy than working with a toothpick and spot of glue). Once rolled and glued it would be fairly simple to pinch the coil into the desired shape.
Then we have the issue of colors etc. Many sighted quiller store their strips in the original packaging, If the packages were marked in Braille it would be helpful in keeping colors organized. My thought would be to put finished shapes into something like the cups of a styrofoam egg carton. The edges of the cups could be marked in Braille with the color and shapes. Another option would be to store shapes in small strips in the plastic chests used to store nuts and bolts etc. That is how I store my quilled flowers, small strips and extra shapes. I do organize them by color and either have a small strip of the color or the name of the color taped to the front of the drawer, again this could be marked in Braille. As I think about it, I think the chests might work better than the egg carton idea; they wouldn’t get knocked over or tipped as easily.
When it comes to actual designs, I am kind of stumped. Perhaps letting the students feel some different designs would give them some ideas. Arranging pieces would be determined by feeling the shapes. These were just a few of my thoughts. I think a blind quiller would have to be much better organized than I am. (No piles of bits of strips and shapes like there are on my work table) It is a challenging question. I would love to hear your thoughts and will be happy to share them in a future post. You can comment on the blog or email me directly at Whimsiquills@cox.net
Wednesday, July 1, 2009
Friday, June 19, 2009
Differences in Quilling Papers/Strips - Updated
I spent some time reviewing previous blog posts and realized that it was time to update my post about the differences in quilling strips. When I first started selling strips, Lake City was the main American supplier, now Paplin Products has a wonderful line of papers, as well as Quilled Creations. J&J Quilling (English) still leads the pack with some wonderful novelty papers, gilded edges, pearl edges; holofoil edges . . . read on to learn more about how these all differ and how they are alike.
A frequently asked question, especially from new quillers, concerns the differences in quilling strips. How are English strips different from American strips etc? Probably, the most obvious difference is in the length of the strips. In the 1970's, 24" was the standard length for quilling strips. That is no longer the case. Lake City papers are 24” long with the exception of their watercolors, which are 12". Paplin papers, another American paper, are generally 23" long, their graduated and two toned strips (which by the way are actually “printed”) are 12” long. Quilled Creations, another American company, strips are about 18" long; their graduated papers are about 12" long. English strips are about 17” long with graduated strips coming in at 12”. The English also have some wonderful novelty (specialty) papers such as graduated strips where the colors darkens as it goes up the strip, dark center strips which go from white to color to white again, two – toned papers which have different colors on each side of the papers, pearlized on edge papers, & holofoil and gilded edged papers which are absolutely beautiful. Not to be “outdone”, the American companies (Paplin and Lake City) have both come out with lines of pearlized and metallic papers, which have a pearlized or metallic finish on both sides of the strips. Paplin has some beautiful pastel pearlized colors, and both companies have some very rich “jewel toned” metallic’s, deep green, blue, and a deep wine color. I have used these papers for some very special effects. I recommend that you use tacky glue on these strips as they have a different finish (almost slippery) than standard strips.
Both papers (American & English) work well together although with today’s economy and with the difference between the dollar and the British pound the English strips are more expensive. We continue to bring in English colors that are not available here in the states. The weights of the different papers vary, some of the darker colors are a heavier weight (I have been told that the heavier weight has something to do with being able to take the darker dye, although the Paplin black is a nice easy weight to work with). Specialty papers, like parchment, tend to be a lighter weight. Some of the "quilling" paper sold in scrapbooking stores, (especially the tube paper sold as "quillstix") is very heavy, almost as heavy as cardstock. Unfortunately, some members of the scrapbooking community are saying this is the only weight that will hold up in a scrapbook. Those of us who have been quilling for a while know that this is not accurate. Regular quilling paper is incredibly strong when rolled and placed on edge. Since we carry so many different kinds of papers here at Whimsiquills, I have tried them all. I don't like working with the heavy "card stock" like papers, and find them difficult to finger roll without getting unwanted creases. If I have to roll a heavier paper, I generally use a tool to keep tension even.
All of the choices now available can cause some confusion for new quillers. I find that all of the papers can work pretty well together if you are just careful to measure the strips you cut from the different brands. For example: if you are using an English yellow for the center of a flower, but an American orchid for the petals, you will want to start out with the same length strips. If you are using a heavier weight paper for a flower center, you will either have to make the strip a little shorter to compensate for the larger size center, or perhaps make a couple of extra petals for your flower.
In some English kits and books, directions are given as using 1/4, 1/8 of a strip. Obviously, if you are using papers of different lengths, you will have to go back to the tried and true method of measuring out your strips. I hope this has answered some of the questions about the many papers available.
Here is an added note of interest for those of you who might be combining quilling with card making or scrapbooking. Paplin offer every one of its colors in 8 ½ x 11 sheets and will do special cuts ½”, or 1” strips to be used for punched flowers/leaves or borders. They also offer a line of color greeting cards which match some of their most popular colors.
A frequently asked question, especially from new quillers, concerns the differences in quilling strips. How are English strips different from American strips etc? Probably, the most obvious difference is in the length of the strips. In the 1970's, 24" was the standard length for quilling strips. That is no longer the case. Lake City papers are 24” long with the exception of their watercolors, which are 12". Paplin papers, another American paper, are generally 23" long, their graduated and two toned strips (which by the way are actually “printed”) are 12” long. Quilled Creations, another American company, strips are about 18" long; their graduated papers are about 12" long. English strips are about 17” long with graduated strips coming in at 12”. The English also have some wonderful novelty (specialty) papers such as graduated strips where the colors darkens as it goes up the strip, dark center strips which go from white to color to white again, two – toned papers which have different colors on each side of the papers, pearlized on edge papers, & holofoil and gilded edged papers which are absolutely beautiful. Not to be “outdone”, the American companies (Paplin and Lake City) have both come out with lines of pearlized and metallic papers, which have a pearlized or metallic finish on both sides of the strips. Paplin has some beautiful pastel pearlized colors, and both companies have some very rich “jewel toned” metallic’s, deep green, blue, and a deep wine color. I have used these papers for some very special effects. I recommend that you use tacky glue on these strips as they have a different finish (almost slippery) than standard strips.
Both papers (American & English) work well together although with today’s economy and with the difference between the dollar and the British pound the English strips are more expensive. We continue to bring in English colors that are not available here in the states. The weights of the different papers vary, some of the darker colors are a heavier weight (I have been told that the heavier weight has something to do with being able to take the darker dye, although the Paplin black is a nice easy weight to work with). Specialty papers, like parchment, tend to be a lighter weight. Some of the "quilling" paper sold in scrapbooking stores, (especially the tube paper sold as "quillstix") is very heavy, almost as heavy as cardstock. Unfortunately, some members of the scrapbooking community are saying this is the only weight that will hold up in a scrapbook. Those of us who have been quilling for a while know that this is not accurate. Regular quilling paper is incredibly strong when rolled and placed on edge. Since we carry so many different kinds of papers here at Whimsiquills, I have tried them all. I don't like working with the heavy "card stock" like papers, and find them difficult to finger roll without getting unwanted creases. If I have to roll a heavier paper, I generally use a tool to keep tension even.
All of the choices now available can cause some confusion for new quillers. I find that all of the papers can work pretty well together if you are just careful to measure the strips you cut from the different brands. For example: if you are using an English yellow for the center of a flower, but an American orchid for the petals, you will want to start out with the same length strips. If you are using a heavier weight paper for a flower center, you will either have to make the strip a little shorter to compensate for the larger size center, or perhaps make a couple of extra petals for your flower.
In some English kits and books, directions are given as using 1/4, 1/8 of a strip. Obviously, if you are using papers of different lengths, you will have to go back to the tried and true method of measuring out your strips. I hope this has answered some of the questions about the many papers available.
Here is an added note of interest for those of you who might be combining quilling with card making or scrapbooking. Paplin offer every one of its colors in 8 ½ x 11 sheets and will do special cuts ½”, or 1” strips to be used for punched flowers/leaves or borders. They also offer a line of color greeting cards which match some of their most popular colors.
Thursday, June 11, 2009
Quilling with Rick Whitman
It is my pleasure to introduce Rick Whitman as this week’s featured quiller. I know Rick pretty well and I am proud to say I gave Rick her first quilling lessons. I remember her sitting in the class and saying that she had just retired from her job and was looking to learn something new. She wasn’t at all sure that quilling was for her, but after her first class, I was convinced! I generally teach the basic shapes for my first class and then let the new quillers use those shapes to create a design of their own. When Rick came back for her second class, she showed us a tiny Madonna and child that she had created. Her pattern was a tiny line drawing that she found in a newspaper. From then on there was no stopping her! She quilled a tiny bouquet of flowers to match the ones her niece carried as a flower girl. Rick also does counted cross stitch. She often does bible verses which we mat (I help with the matting) and then she quills on the mat. She loves to do tiny, tiny flowers and has an incredible imagination. In addition, Rick and her husband Wil are super nice people. We always enjoy a visit with them here at Whimsiquills.
When I agreed to coordinate the first Accord Quilling Calendar (1997), I had a little trouble getting quillers to participate; some felt they couldn’t create small, “simple’ designs that could be included in the calendar/kit. Rick came up with 27 designs including a horse drawn sleigh,
garden tools,
Her designs for the 2008 calendar (N2008) were also outstanding. I’ve included just a few of the pictures here.
When Accord decided not to publish the 2009 calendar, we were all disappointed. Rick had done some adorable nursery rhyme characters. Since they weren’t going to be used for the calendar she had to figure out a way to use them. She used that great imagination again. Here is what she did with them. She told me her nephew helped her with the computer generated backgrounds; these are the pieces she brought to display at this year’s NAQGCON. (North American Quilling Guild Conference 2009)
But two of my favorite pieces of Rick’s (although I love them all), are this three dimensional hummer, and this tiny replica of her own wedding cake . . . and this from someone who wasn’t sure she could learn to quill!
When I agreed to coordinate the first Accord Quilling Calendar (1997), I had a little trouble getting quillers to participate; some felt they couldn’t create small, “simple’ designs that could be included in the calendar/kit. Rick came up with 27 designs including a horse drawn sleigh,
garden tools,
and a tiny woven basket with fruit.
Her designs for the 2008 calendar (N2008) were also outstanding. I’ve included just a few of the pictures here.
When Accord decided not to publish the 2009 calendar, we were all disappointed. Rick had done some adorable nursery rhyme characters. Since they weren’t going to be used for the calendar she had to figure out a way to use them. She used that great imagination again. Here is what she did with them. She told me her nephew helped her with the computer generated backgrounds; these are the pieces she brought to display at this year’s NAQGCON. (North American Quilling Guild Conference 2009)
But two of my favorite pieces of Rick’s (although I love them all), are this three dimensional hummer, and this tiny replica of her own wedding cake . . . and this from someone who wasn’t sure she could learn to quill!
Friday, May 29, 2009
Quilling with Delphene
Whenever I get some downtime, I enjoy seeking out other quillers on the net. It is always fun to see what others are doing with their quilling skills, often I am pleasantly surprised. Actually, Delphene, who is Dutch and French, found me! She emailed me and told me how much she enjoyed the Whimsiquills site, and told me a little bit about herself. When I saw Delphene’s web site, which is in French, Dutch and English, I contacted her and asked her if I could feature her on my blog. As it turned out, she was moving to Orlando, FL so I sent her information about the NAQGCON (North American Quilling Guild Conference), and she was able to attend. She asked me to wait until after the conference to publish her “interview” because she planned on showing her quilled lingerie, (yes, you read that right!), at the conference. We have put a few pictures of her work here in the blog, but be sure to take a few minutes to visit her site; she has some really neat work to share with you. Here is a link http://dequillingworldwifeeo.com because English is a second language, Delphene has given me permission to do some editing, but most of her story is in her own words.
“I started quilling at the age of 8 or 10. My sister had won a craft kit at a Saint Nicholas (November 5th) feast given by the Dutch embassy in Paris. This kit included a simple quilling pattern with a few strips of paper, since she took no interest in it, I finally made it. It was flowers with a bird. Though it looks quite awful, I really enjoyed making it and was proud of it at that time. I always kept it as a reminder, but it is somewhere in a box in France and I don't have a picture of it to show you.
Anyway, from that moment, I never stopped quilling. I was lucky to have an aunt in the Netherlands who was loved crafts (she even worked later in a craft shop) and though she never enjoyed quilling herself, she helped me purchase the paper strips and my first books (I was also lucky that quilling was in at the moment in the Netherlands, because it is now almost impossible to find any quilling supplies and there was no internet then). In the first years I mostly made cards for birthdays, Christmas... following the patterns. When I mastered the basic shapes, the flowers.... I made bigger patterns still following the books. I actually made all the patterns from Malinda Johnson book: Decoratief Papierfiligraan (in Dutch): the panda, the alphabets... which is my very favorite book.
At that time, I had less time with my study and my job, and became bored by the book patterns. So when I had more time during a holiday, 5 years ago maybe, I made my first personal designs. From that moment I kept receiving orders from friends and family, since I told them that you can do everything in quilling, and it is always a new challenge. I also sold a few of my creations in a shop in Paris owned by a guy who made the most amazing origami lamps I've ever seen. Since he had to close the shop (he's now selling on internet) and I was to move to the US anyway I had the idea to create my website: in English and Dutch to make contact with other quillers, in French to promote quilling in France where it is completely unknown. I never took pictures of my creations before I started selling them. And when I created my website I have been asking around for pictures of the quilling I have given away, and most of them are now in my picture gallery, there are just a few creations missing.
I make flowers and frames when I am asked for them, but they are not my favorite (I might have made too many of them earlier!). I enjoy making designs who are the main object of decoration. I tried modern techniques like 3D and husking, but I have a preference for traditional quilling. I use almost no tools, and I coil the strips with my fingers; I used to work with 3 mm strips, but I now often use smaller ones.
I like using the traditional basic shapes in a new context. I particularly enjoyed making the umbrella, and I am currently making lampshades in the same way. I also like making fantastic animals, working on the shapes and colors, the eye expressions. My lingerie designs have a huge success, and I intend to make a whole collection. I have a lot of other projects, and my problem is not a lack of inspiration but a lack of time!!
After high school I studied law, and worked as a student in kitchens. After a few years I decided to turn myself to bakery and pastry; Though I do love my job as a pastry cook, I really envy you for being able to quill full time; and I would love to teach quilling because the persons I tried to interest in it never had the required patience for quilling! . I will love to have some feedback from anyone who visits my site.”
“I started quilling at the age of 8 or 10. My sister had won a craft kit at a Saint Nicholas (November 5th) feast given by the Dutch embassy in Paris. This kit included a simple quilling pattern with a few strips of paper, since she took no interest in it, I finally made it. It was flowers with a bird. Though it looks quite awful, I really enjoyed making it and was proud of it at that time. I always kept it as a reminder, but it is somewhere in a box in France and I don't have a picture of it to show you.
Anyway, from that moment, I never stopped quilling. I was lucky to have an aunt in the Netherlands who was loved crafts (she even worked later in a craft shop) and though she never enjoyed quilling herself, she helped me purchase the paper strips and my first books (I was also lucky that quilling was in at the moment in the Netherlands, because it is now almost impossible to find any quilling supplies and there was no internet then). In the first years I mostly made cards for birthdays, Christmas... following the patterns. When I mastered the basic shapes, the flowers.... I made bigger patterns still following the books. I actually made all the patterns from Malinda Johnson book: Decoratief Papierfiligraan (in Dutch): the panda, the alphabets... which is my very favorite book.
At that time, I had less time with my study and my job, and became bored by the book patterns. So when I had more time during a holiday, 5 years ago maybe, I made my first personal designs. From that moment I kept receiving orders from friends and family, since I told them that you can do everything in quilling, and it is always a new challenge. I also sold a few of my creations in a shop in Paris owned by a guy who made the most amazing origami lamps I've ever seen. Since he had to close the shop (he's now selling on internet) and I was to move to the US anyway I had the idea to create my website: in English and Dutch to make contact with other quillers, in French to promote quilling in France where it is completely unknown. I never took pictures of my creations before I started selling them. And when I created my website I have been asking around for pictures of the quilling I have given away, and most of them are now in my picture gallery, there are just a few creations missing.
I make flowers and frames when I am asked for them, but they are not my favorite (I might have made too many of them earlier!). I enjoy making designs who are the main object of decoration. I tried modern techniques like 3D and husking, but I have a preference for traditional quilling. I use almost no tools, and I coil the strips with my fingers; I used to work with 3 mm strips, but I now often use smaller ones.
I like using the traditional basic shapes in a new context. I particularly enjoyed making the umbrella, and I am currently making lampshades in the same way. I also like making fantastic animals, working on the shapes and colors, the eye expressions. My lingerie designs have a huge success, and I intend to make a whole collection. I have a lot of other projects, and my problem is not a lack of inspiration but a lack of time!!
After high school I studied law, and worked as a student in kitchens. After a few years I decided to turn myself to bakery and pastry; Though I do love my job as a pastry cook, I really envy you for being able to quill full time; and I would love to teach quilling because the persons I tried to interest in it never had the required patience for quilling! . I will love to have some feedback from anyone who visits my site.”
Friday, May 22, 2009
Quilling with Malinda Johnston
As I mentioned in last week’s blog, I wrote to Malinda Johnston to introduce myself to her as the American representative of the English Quilling Guild, back in 1990. I had no idea, at the time, I was writing to THE Malinda Johnston. For those of you who don’t know Malinda, she is the founder and former owner of Lake City Crafts. We “visit” (that’s Malinda’s term) on the phone every once in a while to catch up on mutual quilling friends. I asked Malinda how she had gotten started. She told me she bought a quilling kit at a local craft store, she enjoyed doing the kit and went back to the store and “volunteered” to teach quilling . . . the first step in a long journey. Malinda said once you learn to make the basic shapes, the rest is easy! She started making patterns and little kits for her students in the craft store, and then in 1974, she took a really big step and launched Lake City Crafts. She started her company with her first instructional book, Gallery of Quilling, and “that year, she expanded her line to include four kits, and quickly added six more kits and 18 colors of paper”. The quote is from the 20th anniversary edition of the Lake City Gazette. In many ways the Lake City Gazette was responsible for American quillers organizing and eventually becoming the North American Quilling Guild. It was her newsletter that let us lonely American quillers know there was a quilling guild and that there were other American quillers!
For a long time Lake City Crafts was almost the only game in town. Once Barbara Maddox’ Quill Art was sold and Hazel Pearson just seemed to disappear there were only a few places to buy quilling papers and they were all mail order. When I say mail order, I mean MAIL ORDER!! There was no internet, so the only option was to write or call for a catalogue and wait. As I said earlier, once we American quillers ‘found’ each other, there was no stopping us . . . and Malinda was there every step of the way. When a small group of American quillers decided to go to England for the first International Festival of Quilling, Malinda was in attendance. When that group decided to have a “reunion” meeting in New Jersey the following June, she was there. That’s when I first met her face to face. Malinda is a delightful person and totally down to earth. I remember when she was working on her book “The Book of Paper Quilling” (published in 1994), she said it was kind of like having a baby; it took so long! I was honored that she asked me to submit some of my designs for her book. It was the first of its kind, lots of tutorials, instructions and patterns for more than 50 projects, and designs submitted by thirteen different quillers. There was little bit of everything. For years, many quillers have regarded this book as the quiller’s bible. Her second book “The Weekend Crafter Paper Quilling” was similar, with lots of projects by many different quillers. Over the years, she has been my mentor and has played a major role in the resurgence of quilling, and now is enjoying a well deserved retirement. At this writing, she is enjoying a visit to Paris with her daughters. She told me she was going to bring her sketch books and pretend to be an artist on the left bank. You go girl!!
For a long time Lake City Crafts was almost the only game in town. Once Barbara Maddox’ Quill Art was sold and Hazel Pearson just seemed to disappear there were only a few places to buy quilling papers and they were all mail order. When I say mail order, I mean MAIL ORDER!! There was no internet, so the only option was to write or call for a catalogue and wait. As I said earlier, once we American quillers ‘found’ each other, there was no stopping us . . . and Malinda was there every step of the way. When a small group of American quillers decided to go to England for the first International Festival of Quilling, Malinda was in attendance. When that group decided to have a “reunion” meeting in New Jersey the following June, she was there. That’s when I first met her face to face. Malinda is a delightful person and totally down to earth. I remember when she was working on her book “The Book of Paper Quilling” (published in 1994), she said it was kind of like having a baby; it took so long! I was honored that she asked me to submit some of my designs for her book. It was the first of its kind, lots of tutorials, instructions and patterns for more than 50 projects, and designs submitted by thirteen different quillers. There was little bit of everything. For years, many quillers have regarded this book as the quiller’s bible. Her second book “The Weekend Crafter Paper Quilling” was similar, with lots of projects by many different quillers. Over the years, she has been my mentor and has played a major role in the resurgence of quilling, and now is enjoying a well deserved retirement. At this writing, she is enjoying a visit to Paris with her daughters. She told me she was going to bring her sketch books and pretend to be an artist on the left bank. You go girl!!
Friday, May 15, 2009
About Me Part 2-The Story of Whimsiquills
This week I am continuing the “story of Whimsiquills”. If you missed part one, here is a link to the previous post.
I actually took a break from my quilling for a couple of years. I took a full time job as a child support investigator with the Bureau of Child Support Enforcement and continued with my child support advocacy work at the same time. The job, plus three kids at home kept me pretty busy. But even though Whimsiquills was tucked away, I didn’t forget it. I finally quit my job with the state and got back to quilling.
I was buying papers from Lake City Crafts and read about the English Quilling Guild in their little newsletter “The Lake City Gazette”. I was so excited to find out that there was actually a quilling guild. So I joined and became the regional representative for the United States. Sounds pretty important, but there were only sixteen American members (spread out over 12 states) of the guild at the time. In May of 1990, I wrote an introductory letter to all sixteen members, asking them if they knew of suppliers, and whether they sold their work or taught quilling. I also sent out press releases about the English quilling guild. Through my introductory letters, I met other quillers for the first time, and we decided to stay in touch. If you are a member of the North American Quilling Guild you can actually read those early letters on the www.naqg.org web site. Log in, go to the member’s corner and click on the newsletter archive. If you scroll all the way down to the bottom of the page you can read the first letters I sent out to those American Quillers. I continued to write “newsletters” to American Quillers for about ten years. Eventually I called the newsletter “Quill America”, and when the North American quillers decided to form an official quilling guild in 2000, Quill America became the official newsletter. (That meant I didn’t have to write it anymore! But that’s another story)
Back in 1990, I was teaching quilling in LeeWards (now Michaels), doing craft shows, and selling my work through a few shops. When I decided that quilling was going to be my full time business, I attended several small business seminars held by the SBA and learned about networking, tax numbers, business cards, brochures, etc. all of that neat stuff. I had professional pictures taken of some of my wedding designs and had color brochures done which I could use to promote my business, boy was that an expensive proposition! My focus at that time was on selling my finished pieces although Malinda Johnston (Lake City Craft owner) really encouraged me to start selling supplies. Since I was still teaching, (and having trouble finding supplies), I decided to take Malinda’s advice and started carrying Lake City Papers.
In 1994, my husband took time off between jobs to go to framing school. We then invested in professional mat cutting and framing equipment and I learned everything he learned at framing school. My husband made custom frames for my work. We started found a frame we could market to Whimsiquills customers which was easy to use and attractive. Unfortunately after 10 years or so, the company who was making the frames for us decided we were too small for them. We were ordering 500-700 frames a year but they decided to drop us and the moulding. At one point I had my work in nine different craft malls. For those of you who might not be familiar with craft malls, you actually rent space in the store and display your work. The rent covers your space and the store staff sells your work for you and then the store sends you a check. I found these craft malls worked better for me than craft shows since the items I liked to make (framed pieces) didn’t sell real well at the shows. The time factor was another reason I gave up doing shows. Making inventory in advance, packaging, pricing etc. then a day to pack up, the time of the actual show (1 or 2 days), and then unpacking after the show. It just took too much time away from actually quilling.
I think we put the first web site up in 1996 or 1997; the web site has continued to evolve over the years. I added English quilling papers to our line, and now we carry all of Paplin’s papers, tools and kits (I design the kits for Paplin). We’ve also added all of Quilled Creations tools, and kits, as well as books from the USA, England, Australia, and the Netherlands. Today, www.Whimsiquills.com is a way for us to reach other quillers, share our knowledge and experience, and sell a huge assortment of quilling supplies. If you haven’t visited, stop in and browse through our gallery of finished work, instruction sheets, free patterns and supplies. And here I am, thirty plus years later . . . writing a blog! Two years ago, I didn’t even know what blog was! Go figure!
I actually took a break from my quilling for a couple of years. I took a full time job as a child support investigator with the Bureau of Child Support Enforcement and continued with my child support advocacy work at the same time. The job, plus three kids at home kept me pretty busy. But even though Whimsiquills was tucked away, I didn’t forget it. I finally quit my job with the state and got back to quilling.
I was buying papers from Lake City Crafts and read about the English Quilling Guild in their little newsletter “The Lake City Gazette”. I was so excited to find out that there was actually a quilling guild. So I joined and became the regional representative for the United States. Sounds pretty important, but there were only sixteen American members (spread out over 12 states) of the guild at the time. In May of 1990, I wrote an introductory letter to all sixteen members, asking them if they knew of suppliers, and whether they sold their work or taught quilling. I also sent out press releases about the English quilling guild. Through my introductory letters, I met other quillers for the first time, and we decided to stay in touch. If you are a member of the North American Quilling Guild you can actually read those early letters on the www.naqg.org web site. Log in, go to the member’s corner and click on the newsletter archive. If you scroll all the way down to the bottom of the page you can read the first letters I sent out to those American Quillers. I continued to write “newsletters” to American Quillers for about ten years. Eventually I called the newsletter “Quill America”, and when the North American quillers decided to form an official quilling guild in 2000, Quill America became the official newsletter. (That meant I didn’t have to write it anymore! But that’s another story)
Back in 1990, I was teaching quilling in LeeWards (now Michaels), doing craft shows, and selling my work through a few shops. When I decided that quilling was going to be my full time business, I attended several small business seminars held by the SBA and learned about networking, tax numbers, business cards, brochures, etc. all of that neat stuff. I had professional pictures taken of some of my wedding designs and had color brochures done which I could use to promote my business, boy was that an expensive proposition! My focus at that time was on selling my finished pieces although Malinda Johnston (Lake City Craft owner) really encouraged me to start selling supplies. Since I was still teaching, (and having trouble finding supplies), I decided to take Malinda’s advice and started carrying Lake City Papers.
In 1994, my husband took time off between jobs to go to framing school. We then invested in professional mat cutting and framing equipment and I learned everything he learned at framing school. My husband made custom frames for my work. We started found a frame we could market to Whimsiquills customers which was easy to use and attractive. Unfortunately after 10 years or so, the company who was making the frames for us decided we were too small for them. We were ordering 500-700 frames a year but they decided to drop us and the moulding. At one point I had my work in nine different craft malls. For those of you who might not be familiar with craft malls, you actually rent space in the store and display your work. The rent covers your space and the store staff sells your work for you and then the store sends you a check. I found these craft malls worked better for me than craft shows since the items I liked to make (framed pieces) didn’t sell real well at the shows. The time factor was another reason I gave up doing shows. Making inventory in advance, packaging, pricing etc. then a day to pack up, the time of the actual show (1 or 2 days), and then unpacking after the show. It just took too much time away from actually quilling.
I think we put the first web site up in 1996 or 1997; the web site has continued to evolve over the years. I added English quilling papers to our line, and now we carry all of Paplin’s papers, tools and kits (I design the kits for Paplin). We’ve also added all of Quilled Creations tools, and kits, as well as books from the USA, England, Australia, and the Netherlands. Today, www.Whimsiquills.com is a way for us to reach other quillers, share our knowledge and experience, and sell a huge assortment of quilling supplies. If you haven’t visited, stop in and browse through our gallery of finished work, instruction sheets, free patterns and supplies. And here I am, thirty plus years later . . . writing a blog! Two years ago, I didn’t even know what blog was! Go figure!
Monday, May 11, 2009
About Me!
I was working on a couple of interviews with long time quillers Betty Christy and Malinda Johnston and I started thinking about how quilling had changed MY life. I have always been “crafty” and loved doing anything with my hands. I graduated from college with a degree in classical languages (Latin and Greek); my plan was to go on for a graduate degree and then teach. Like so many young women in the sixties, the expectation was to marry and have kids, rather than graduate school and jobs. I caved. When I moved to Connecticut in 1973, I was divorced with a two year old and a five year old and the love of my life. Ross had two children from his previous marriage, plus my two, and then we had our daughter. So we were kind of like the Brady bunch.
I started quilling in the early 1970”s. At that point I was a stay at home mom, heading up a child support advocacy group, and active in the local Junior Women’s Club and. Several of us learned to quill and made little place cards for a membership tea. I really liked quilling; I remember making quilled snowflakes for everyone in my family. I did some quilled borders and little flower arrangements on wooden plaques my husband made for me in his workroom. I had no idea just what could be done with quilling, like many quillers, I learned by buying books to learn and get ideas. Back then there were a lot of small family owned craft stores; most carried some quilling supplies and instruction booklets. I found multi-color paper packs by Mangelsen’s, kits by Quill Art (Barbara Maddox), and a really neat tool called the “Quill Quiky” by Hazel Pearson.
I bought a booklet called “Dimensional Quilling Instructions” (1974) put out by Mangelsen. The designer, Betty Nelson, stacked some of her quills to give additional depth. She had one design that combined quilled flowers, statice and small seashells. I loved that design and used something similar as a border on a lot of my early wedding pieces. I still have a much worn copy of Hazel Pearson’s “New Designs for Quilling” (1974) which included things like quilled borders, mushrooms. I learned to make spider mums and stacked zinnias from Hazel Pearson’s booklet “Classic Quills” (1977). I discovered you could make miniature flowers when I found Betty Christy and Doris Tracy’s booklet “Miniature Quilled Flowers” (1976). I made tiny flower pots full of flowers and then put them in pastel colored eggs, and gave them to my family at Easter time. I would gently tap a hole in the side of and egg and empty it (to make French toast or scrambled eggs), then I would cut an oval opening, wash and clean the egg shell. Once I had a group of shells I would dye them with food coloring. Talk about recycling!
I started quilling in the early 1970”s. At that point I was a stay at home mom, heading up a child support advocacy group, and active in the local Junior Women’s Club and. Several of us learned to quill and made little place cards for a membership tea. I really liked quilling; I remember making quilled snowflakes for everyone in my family. I did some quilled borders and little flower arrangements on wooden plaques my husband made for me in his workroom. I had no idea just what could be done with quilling, like many quillers, I learned by buying books to learn and get ideas. Back then there were a lot of small family owned craft stores; most carried some quilling supplies and instruction booklets. I found multi-color paper packs by Mangelsen’s, kits by Quill Art (Barbara Maddox), and a really neat tool called the “Quill Quiky” by Hazel Pearson.
I bought a booklet called “Dimensional Quilling Instructions” (1974) put out by Mangelsen. The designer, Betty Nelson, stacked some of her quills to give additional depth. She had one design that combined quilled flowers, statice and small seashells. I loved that design and used something similar as a border on a lot of my early wedding pieces. I still have a much worn copy of Hazel Pearson’s “New Designs for Quilling” (1974) which included things like quilled borders, mushrooms. I learned to make spider mums and stacked zinnias from Hazel Pearson’s booklet “Classic Quills” (1977). I discovered you could make miniature flowers when I found Betty Christy and Doris Tracy’s booklet “Miniature Quilled Flowers” (1976). I made tiny flower pots full of flowers and then put them in pastel colored eggs, and gave them to my family at Easter time. I would gently tap a hole in the side of and egg and empty it (to make French toast or scrambled eggs), then I would cut an oval opening, wash and clean the egg shell. Once I had a group of shells I would dye them with food coloring. Talk about recycling!
(Remember this was long before Whimsiquills). One of my all time favorite booklets was “Wide Quill Flowers”, a Mangelsen’s publication by a woman named Ruth Freeman. I didn’t know you could make roses!!!! I bet I made every design that was in that booklet. I loved it! The very first real book I bought was one by Doris Tracy and Betty Christy. It was called “Quilling, Paper Art for Everyone”. I still have my original dog eared copy (actually my copy is more than dog eared, one of my puppies left some very distinctive teeth marks as he attempted to get it off my book shelf). This book has the most comprehensive history of quilling I have found anywhere: Two hundred pages of terrific information, lots of “how to’s” and pictures of finished pieces by many different quillers. I wish the pictures were in color but even in black and white they were fascinating. It wasn’t very long before people started asking me to make things for them. 
In 1981, I decided to try and earn some money selling some of my work. I wrote to all of the companies listed in the back of Betty Christy’s book trying to find supplies. I made up a bunch of samples and started showing them at “home parties”, (kind of like Tupperware parties). I would go and do a demonstration so people would know what quilling was and how it was done and then show my samples and take orders. The hostess would get a credit (20% of the total party order) so she could order whatever she wanted. Then I would go home and quill like crazy to fill all of the orders. I called my new business Whimsiquills. Stay tuned for the next installment of this “saga”.
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