I promised you a different kind of heart this week. This couldn’t be any more “out of the box” than our typical quilled hearts.This week I’d like to introduce you to Sarah Yakawonis. She contacted me after seeing the picture of the 3-D quilled
scull that Kim Wallace sent me that was posted on this blog. Sarah said that she had done a two dimensional scull and would like to try a 3-D scull. I checked out her blog (
http://yakawonis.blogspot.com/ )and was amazed at her anatomical quilling. I asked her permission to feature her here and share her work with you. She graciously accepted.
Sarah is a graduate of the Maine College of Art and works as a graphic artist in a publication design studio in Portland, Maine. “We make books, it's really fulfilling because I love everything about books.”
I asked her how she learned to quill. “, I learned quilling on my own. But I used the skills like flawless glue work from school. My teachers were really hard about stuff like glue showing, it taught me to hold everything I make up to a level of scrutiny I would have never know existed if I hadn't gone to art school. . . . I fell in love with quilling early last summer and played around with a lot of the traditional quilling motifs. While I did learn the techniques of quilling by doing this, none of the traditional themes held my interest for very long. I was looking for a subject that would. I guess I was looking for a something that was more macabre than the traditional flowers and letterforms. I came up with the idea of anatomical quilling while in the wilderness of Maine; it just kind of came to me like being hit by a lightning bolt of inspiration! I did a few pieces and knew I'd do a lot more. I really love repetitive tasks, and I enjoy how long each one takes. For example my quilled heart took about 33 hours to complete. Each part of the body is so complex! I love figuring out how to take the illustration I work from and translate it into quilling! It's so much fun and so satisfying to see the finished work!”
I asked Sarah if she planned to “market” her work, she replied,” I'm trying to figure out how to get my work into galleries. I'm preparing to approach galleries in Portland and nation wide, First Friday is a big art day in Portland so I'm waiting for gallery Curators to be a little less busy when I approach them. I hope it's a fruitful endeavor!
I may start selling them online, I'm looking for the best platform to showcase my work. I also have to figure out how to price my work, no small task when there is nothing out there to compare it to.
Be sure to stop by Sarah's blog to see some great close ups of her work. Good luck Sarah! I’m happy to have made your acquaintance.!